Nobody explains sports like animator/director/writer Fraser Davidson and the crew at Cub Studios in London. The breezy wit and rant-like pacing keep your interest even through the most arcane details while the vibrant palette and playful art direction help expand the visual appeal beyond hardcore sports fans. [Watch]
My interest in heavy metal music is minimal but a great story is a great story, especially when the hero overcomes severe, even ironic adversity. So it happened 67 years ago when a Birmingham welder (and future Black Sabbath guitarist) named Anthony Frank “Tony” Iommi lost two fingers to a metal stamping machine. [Watch]
As the design world drowns in demo reels (invariably a string clips cut to music), what can a studio do to punch out of the noise and deliver a clearer picture of who they are? The company manifesto is a good start. Witness this snappy 90-sec romp created by We Are Royale and timed for the launch of their new site [Watch]
Trip backstage with GMUNK and crew for Mr. Munkowitz’ ambitious chapter of The Connected Series sponsored by Samsung; an exploration of the power of technology to re-pattern the way we see ourselves, allowing us to relive the past and embellish the present. [Watch]
Meet Steve Frykholm who joined Herman Miller in 1970 as their first in-house graphic designer. Charming, unassuming and humble, I find the story of his eccentric company picnic posters, their induction into the Museum of Modern Art and recent reprinting, a refreshing tonic to today’s hard charging design environment. [Watch]
Fred Astaire’s groundbreaking rotating set dance number from the 1951 MGM musical comedy Royal Wedding gets a DIY update in this video for “Julia” by Toronto’s Fast Romantics with frontman and director Matthew Angus handing the VFX. [Watch]
