Turns out HBO’s critically acclaimed and relentlessly gritty True Detective series is an anthology. So if the cast, location and narrative arcs all change each season, how do you handle the titles – especially if you won the Outstanding Main Title Design Emmy for the first season? [Watch]
Partizan director Antoine Bardou Jacquet, Paris VFX masters Mathematic and agency BETC exploit your expectations of well-worn sci-fi tropes to jolt the Cube S set-top box from Canal+ into your consciousness. [Watch]
London animation and illustration studio Moth Collective combines both those talents into a powerful promo for the 130-year old American charity HIAS who work “to address the global refugee crisis by protecting refugees and displaced persons throughout the world and helping them to build new lives in safety and with dignity.” [Watch]
Every E3 event produces a swarm of 3D game trailers but this violence-packed opus for Ubisoft’s Ghost Recon Wildlands stands apart for closing the gap between pre-rendered cinematic and real-time gameplay footage to a significant degree. [Watch]
If you’ve seen their work for Childline, you know Buck has a particular talent for animated PSAs. The latest evidence: This touching, low-key piece for Alcoholics Anonymous from ECD Orion Tait and crew held together by AA members’ narratives, a muted palette plus clever and organic transitions. [Watch]
Matt Pyke and the Universal Everything crew gather 20 animation studios from around the planet to collaborate on 31 spirited living murals commissioned by, and projected onto, Jørn Utzon’s Sydney Opera House for the VIVID 2015 festival. [Watch]
