Director Tomek Baginski and a massive crew from Platige Image in Warsaw wrangle the stars of History Channel’s Vikings into a powerful promo augmented with dramatic and seamless CG. Tomek Baginski: “All marketing materials were shot at the same time, so we only had each actor for an hour. That meant [Watch]
The vast majority of inflight safety videos deserve to be ignored because they’re benign and boring. Virgin Atlantic on the other hand treat the mandatory clips as edutainment and just replaced theirs (created by Nexus back in 2002) with this ambitious epic produced over six months by London’s Art&Graft who won [Watch]
Blink Ink director Noah Harris and crew craft a frenetic and riveting fusion of 3D-printed stop-motion elements and 2D animation for Bristol producer Julio Bashmore’s “Peppermint,” proving once again that killer visuals can rescue mind-numbing dance tracks. Lead stop-motion animator was Andy Biddle, and post credits [Watch]
Celebrating the local characters of their downtown Vancouver neighbourhood, Giant Ant created this endearing short during the first of their hack days. According to Giant Ant, “two days dedicated to making something amazing and stupendous”. In addition to this project, the team also constructed a bike rack and drink [Watch]
An tale of unexpected love and how opposites attract told with illustrative poise by Brooklyn freelance animator/designer Joe Donaldson (who counts Digital Kitchen, The Mill and Buck among his clients) for The New York Times and their Modern Love column. “Typically, I work in the world of advertising and motion [Watch]
To some heathens bum-wipe will always be bum-wipe. But the all-Munich team of 3D/VFX house Ignyte and post house Velvet attempt to prove otherwise in this 60-second CG ode to abstracted bathroom hygene set to a delicate cover of The Pixies’ “Where is my Mind” by Sunday Girl. Shame about the way-to-earnest voice over tho. [Watch]
