“Transcendent steampunk octopus,” said no one. Ever. Except Jon Yeo, the London based director/writer/editor and DP of “Leviathan Ages,” the VFX-driven short sweeping thru the film festival circuit for the past year powered by the authoritative VO work of Robert Blythe and atmospheric audio from Radium. [Watch]
Elastic CD/filmmakers David Brodie and Angus Wall introduce the ambitious and quietly emotional Interstellar Time Capsule project which invites you to contribute multi-media evidence humans are worthy inhabitants of planet Earth.
Powered by Google Play and curated by Christopher Nolan with production by Elastic and finishing by a52. [Watch]
Combining sleek live footage of the previously unseen Lexus LF-C2 concept with ominous matte paintings, Gentleman Scholar and Team One indulge in what a friend of mine likes to call vehicular porn.
“Playing with illumination and carefully manipulating shadow, we hoped to tell a story with atmospheric wonder and stunning visuals. By hand-painting vast, dreamlike expanses and weaving them with tightly composed shots of the vehicle’s sleek contour, our goal was to leave viewers ruminating on the exciting future of automotive design.” [Watch]
Director/video artist Marco Brambilla and Artjail CD/Flame maven Steve Mottershead literally dip into old school film techniques to create this textural ode to passion currently running on an eight-panel installation in the Vera Wang flagship store in Beverly Hills. [Watch]
Chinese diva Wang Rong Rollin (with the help of anonymous animators and VFX artists) aims directly at the heart and soul of viralocity by extracting the silliest parts of “What Does The Fox Say?” (approaching half a billion views) and “Gangnam Style” (over two billion views) and mashing them together as “Chick Chick,” four minutes of poultry-flavored madness. [Watch]
Our species’ talent for cruelty to other animals finally catches up with us in this stark and striking short shot over six days and posted by Phua Cardin, Wong Voon Fei and Fong Kheng Wai (aka Malaysian prodco Northern Lights) who describe “Manhunt” as a “surrealistic revenge fantasy of animals on humans for the mess they have made.
“The core idea for this short film is to switch the roles of humans and animals, hunters hunted, to show how the world could be like from the animals’ perspectives, and to put us humans in their shoes.”
Behind the scenes:
