The Best of Stash 2014 Collection releases in full on Dec 31 but here’s an early taste: A brilliant near-future sci-fi online ad for Greenpeace published in Stash 105 called “New Bees” directed by Polynoid and produced and animated at Woodblock in Berlin. [Watch]
Minivegas‘ fun new ASUS clip featuring working stiff birds of all types extends an idea explored by UK director Ninian Doff back in 2011 for his no-budget Fulton Lights “Staring Out of The Window” music video starring a Rat Pack of crows.
Watch how Toronto design/animation/VFX house The Juggernaut mixes very old-school letterpress techniques with au courant lasers, drones and 3D in this spot highlighting the 10 generations behind the family-owned Dutch Vodka brand Ketel One.
Watch the spot:
[Watch]
Building on the sage words of Carl Sagan reading from his 1994 book Pale Blue Dot, Stockholm digital artist and animator Erik Wernquist crafts a spectacular vision of humanity’s possible future in space. All scenes are digital recreations of real places in the Solar System built from photographs and map data where available. [Watch]
Powered by Foreigner’s almighty power ballad “I Want To Know What Love Is,” London VFX house Electric Theatre Collective bring the house down with bang-on performances and perfect integration in Freeview “Left Behinds” directed by Rogue Films’ Sam Brown thru Leo Burnett. [Watch]
“Transcendent steampunk octopus,” said no one. Ever. Except Jon Yeo, the London based director/writer/editor and DP of “Leviathan Ages,” the VFX-driven short sweeping thru the film festival circuit for the past year powered by the authoritative VO work of Robert Blythe and atmospheric audio from Radium. [Watch]
