The second teaser/trailer for PostPanic co-founder Mischa Rozema’s feature film debut ‘SUNDAYS’ deepens the air of dystopian sci-fi mystery with more glimpses of the ambitious VFX all held together by a VO from lead actor Brian Petsos.
The film, which “promises to challenge the viewer with philosophical questions about the future of humanity” was shot in Mexico city, is now in post and will release in the second half of 2014.
Here’s the first teaser/trailer in case you missed it:
[Watch]
Newly signed to Division for representation in France and the US, music video mavens Jonas & François team with Paris VFX/animation studio Mathematic for the title track from Jack White’s new solo project called “Lazaretto” releasing June 10th on Columbia. [Watch]
Fast and fun new CG character and VFX work from London’s Gramercy Park Studios (launched in 2013) and Academy director Walter Stern for the repositioning of Betfair, the world’s largest internet betting exchange. GPS handled all post duties from VFX supervision and the CG octopus, thru to grade, sound design [Watch]
According to director William Armstrong‘s bio he “grew up in Botswana in the middle of the bush surrounded by crocodiles and snakes” so we’ll assume that’s where the savage intensity of this new Adidas online spot comes from as captured by DP Sebastian Pfaffenbichler and edited with fanatical precision by Andreas Bardet @ Infected. [Watch]
Samsung’s massive and cheeky campaign for the Galaxy rolls on with four minutes of wonderfully over-the-top sci-fi fun from Psyop/Smuggler director Laurent Ledru backed by sleek and wall to wall VFX from the Psyop crew. Because of the players’ schedules, they were each shot separately in London, [Watch]
Many Dr. Who fans (my son included) were underwhelmed by the latest BBC teaser (below) featuring only Peter Capaldi’s silhouette, but VFX artist John Smith was inspired to do something about it: He created this full trailer featuring the 12th doctor and Clara arriving in a dazzling new time and space:
“My aim was to capture the more ‘magical’ side of the show, rather than the dark-and-gritty approach I usually take. I used After Effects, Maya, Mudbox, and Premiere.”
[Watch]
