Mirada and Wongdoody connect the Kindle Voyage reading experience to real smooshed/bleached wood fibers and ink with clever, intricate and seamless CG. Nice to see the origami-CG technique used for an idea actually related to paper. [Watch]
IN 2013 The Mill created “98% Human” for PETA featuring a startlingly emotional performance by an all-CG chimp.
Although far more upbeat and ambitious in scope, this new spot helmed by Academy director Frederic Planchon for Scottish power company SSE, retains the intimate character subtleties, masterful rendering and perfect live action integration required to ensure 98% of humans who watch it will believe the orangutang is real. [Watch]
Check the VFX breakdown to find out just what’s CG and what’s live in this spot from Smuggler’s Adam Berg and the crew at MPC for the release of Xbox Forza 2.”
“The MPC LA VFX team supervised the 3-day shoot in Italy with Adam and created the ‘invisible VFX’ such as recreating 3D scenes of the tilt-shift effect, compositing depth passes, crafting over 40 matte paintings and adding CG racetracks, cars, and explosions.” [Watch]
WIZZdesign directors Andy’s and Paris CG house Unit Image push their latest photo-real CG collaboration to a new level for this remake of a classic Bond-inspired spot from 1987. Except for the vehicle interior and the actors, everything after the :18 second mark is CG, including the transition shot from 4/3 to 16/9. Spectacular. [Watch]
Nexus directors Factory Fifteen channel Brave New World and 1984 for this sweeping and VFX-heavy vision of a totalitarian dystopia for Ninja Tune artist The Bug (aka producer Kevin Martin) in collaboration with The Creator’s Project. [Watch]
Just how epic can mineral water get? Pretty freakin’ epic according to this new spot from the all-Paris team of Gang Films and VFX house Digital District for Volvic through Y&R. [Watch]
