Glassworks_Adidas Beckham | STASH MAGAZINE

Glassworks for Adidas “Climachill – A Cooling Revolution”

Glassworks Amsterdam director Rudiger Kaltenhauser puts a frigid 3D-animated twist on the extreme macro world of fabric technology (and David Beckham’s skin) for Adidas thru the Meanwhile agency. Check Kaltenhauser’s G-STAR ‘Art of RAW’ spot for more CG macro magic plus Skrillex and a skeleton dog. Audio: Kaiser Sound Studios. [Watch]

Topix for Scotiabank Cinemas “Coming Soon”

Ambitious and snappy new CG “Coming Soon” intro now hitting Scotiabank cinemas across Canada produced in stereoscopic 3D by creative directors Anthony Scott Burns, Abdul Mohamud and the Topix crew in Toronto thru agency Capital C. [Watch]

Mikros_Evian Baby & Me | STASH MAGAZINE

The Amazing Baby & Me

The all-powerful CG/VFX team at Mikros Image in Paris help Evian and agency BETC extend the ubiquitous Baby & Me campaign with some tight Spidey moves. [Watch]

Lorde of the Barbes_Tixier | STASH MAGAZINE

Jean-Michel Tixier Draws the Line for Agefiph

Paris illustrator/director Jean-Michel Tixier’s light touch and clean draughtsmanship ease the delivery of a serious message in this spot for Agefiph, a French organization helping the handicapped to find work. Produced through international talent agency and production company Lord of Barbès. [Watch]

Cravendale Barry the Biscuit Boy by Blinkink | STASH MAGAZINE

Joseph Mann and Andrew Thomas Huang: “Barry the Biscuit Boy”

Blinkink directors Joseph Mann and Andrew Thomas Huang lead a massive crew into a three-week shoot of 16 live-action puppets and animated stop-motion models for Cravendale thru Wieden+Kennedy London. [Watch]

And the Award for Best Use of Security Footage…

…in a TV Spot Goes to: The agency team at Propeg in Salvador, Brazil for this VFX-free head-shaker called “Almost” produced for The Association of Transplanted Patients Bahia (BA-ATX), a Brazilian nonprofit. [Watch]