Golden Wolf Signs with Free Agents for US Representation
July 22, 2024
Holiday Films 2016: Volume 1
With Xmas only 12 days away it’s high time we rounded up some offbeat animated holiday videos including Maki Yoshikura’s surreal looping magic in “Christmas Sausage,” Superfiction’s stylized quest for missing reindeer in “Merry Christmas,” and Mill+’s understated look at over-indulgence in “The Dinner.” [Watch]
Stash 120 Now Online: Watch the Preview!
Twelve years and 120 issues later, the Stash Permanent Collection keeps growing – delivering inspiration and insight to subscribers on six continents with access to over 4,400 outstanding design, animation and VFX projects PLUS behind-the-scenes features and exclusive Stash interviews. [Watch]
Ringan Ledwidge and The Mill: Audi “Duel”
One bright spot in the otherwise cringe-inducing first presidential debate of 2016, was the launch of another man vs woman “Duel” in the form of this :90 blast of action for Audi from Rattling Stick director Ringan Ledwidge with invisible VFX from The Mill. [Watch]
Carbon Appoints VFX/Flame Artist John Price to Creative Director in Los Angeles
From the release: Creative studio Carbon has strengthened its team in Los Angeles with the addition of Creative Director John Price, who brings over a decade’s worth of industry experience in VFX, Flame and post-production. Price joins Carbon LA after a stint as Senior Flame Artist at Santa Monica-based Electric Theatre Collective, where he picked […] [Watch]
Opening Titles: Netflix Doc Series “Fearless”
Dark and painterly vignettes from Mill+ open director Michael John Warren’s new Netflix doc series ‘Fearless’ which takes viewers deep into Brazilian bull riding culture and tracks the riders on their quest from Sao Paulo to the world championships in Las Vegas. [Watch]
Daniels and The Mill for Nike “Unlimited You”
What’s the secret to punching out of the Rio Olympics ad barrage? Start with a killer script from W+K Portland calling for A-list sports celebs, hire Prettybird directing duo DANIELS to shoot it, hand the footage to editor Angus Wall at Rock Paper Scissors, then let The Mill handle VFX and grade. [Watch]
