London’s weareseventeen tackles an animated Easter broadcast design package for BT by “focusing on the beauty of Springtime” and avoiding the holiday cliches. But so much 3D beauty comes at a price according to creative director and co-founder Steve Simmonds, “Some of the frames took 22 hours to render on this one, probably our biggest technical wrangle to date.”
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Paris graphic and motion design company NAKED teams with ROOF in New York to create 45 richly detailed and lovingly rendered 3D broadcast bumpers for France’s TF1 network. The five-month transatlantic collaboration happened over a cloud-based pipeline built with tools like Podio.com and Amazon allowing the [Watch]
CDs Shaun Collings, Curtis Doss and the BBDG team in Santa Monica collaborated with Carl Sagan’s widow Anne Druyan and “Pulled from every talent in the shop” to create this vast, elegant and inspiring mix of micro and macro to open Fox’s re-launch of the ‘Cosmos’ series, including “shooting live action, creating [Watch]
Three-time Oscar-nominated director/animator Sylvain Chomet (The Triplets of Belleville, L’illusionniste, The Old Lady and the Pigeons) and London animation force th1ng responded to Matt Groening’s invite to create a Simpson’s couch gag with this appropriately over-the-top Gaulish interpretation. Previous guest couch [Watch]
Approached by NBC “to help emulate the gritty undertones” of the network’s hit drama Blacklist without revealing details of the show itself, MPC NY inserts a sweeping CG domino sequence into stark live footage shot in and above the Mojave Desert. The process started with a 3D previz and six life-sized reference sculptures [Watch]
Director Tomek Baginski and a massive crew from Platige Image in Warsaw wrangle the stars of History Channel’s Vikings into a powerful promo augmented with dramatic and seamless CG. Tomek Baginski: “All marketing materials were shot at the same time, so we only had each actor for an hour. That meant [Watch]
