How do you open a retro-future TV series about a scam selling timeshares on the moon? CD Ronnie Koff and Imaginary Forces opted for what they describe as a “hypnotic ride of apparatuses with an underlying eerie imbalance.” [Watch]
The obvious vitality and sheer variety apparent in these projects tell us one thing: 2022 was an exceptional year for designers charged with setting the tone for visual programming in television, film, and games. [Watch]
Designer/director Arisu Kashiwagi, who won an Emmy for her work on the Stranger Things titles, merges character and charcoal into a layered and atmospheric opening for The Last Days of Ptolemy Grey on Apple TV+. [Watch]
Berlin artist and motion designer Oliver Latta (aka Extraweg) ramps up his fascination with literal soft bodies in this aptly surreal title sequence for Ben Stiller’s twisty Apple TV+ thriller series Severance. [Watch]
From the team at Imaginary Forces: “It’s not your typical day in the neighborhood when you realize the world has been invaded by aliens. In our cinematic title sequence, we partnered with Apple TV+ for a story that hits very close to home. [Watch]
Creative director Benjamin Woodlock and the design and animation team at Elastic in Los Angeles capture a gritty, punk zine attitude in their titles for Jon Stewart’s new current affairs/talk show on Apple TV+. [Watch]
