TBWA\Media Arts Lab references everything from The Simpsons and Pac-Man to the Cookie Monster, Hello Kitty and the Beats logo in this highly likable ode to the love users have for their MacBook Airs. Lovers of Separated at Birth (like myself) will enjoy pointing out the similarities to a certain Google Play spot produced by The Mill earlier this year…
Glassworks Amsterdam director/animator Daniel Hope takes liberties with the natural order of predator-prey releationships in these two CG-masquerading-as-stop-motion clips for the bi-annual ad-scene networking events in Amsterdam called X-Pollination. [Watch]
Psyop and CD Gerald Ding spent six days in Kingston, Jamaica, scouting for talent and locations to serve as the base for their free-wheeling 2D cel animation in one of three videos commissioned by The House of Marley to launch the company’s latest portable audio system, an eco-friendly Bluetooth beauty called the Get Together. [Watch]
The Stash permanent collection continues to grow as issue 106 archives another 31 outstanding motion design, animation and VFX projects for our loyal base of professional and student subscribers.
This issue features 90+ minutes of commercials, broadcast design, music videos, brand films, short films and behind the scenes extras from the planet’s top artists and filmmakers with production notes, toolkit and links for every project – Plus stills, style frames, exclusive interviews.?
TRY STASH FREE FOR 30 DAYS and discover the stories behind the work. [Watch]
If you’ve seen the work The Embassy kicks out for features like “Elysium” and “Enders Game” you won’t be surprised by the Vancouver studio’s seamless execution in this Gymkhana-inspired clip for BMW Canada (featuring the 430Hp M4) directed and edited in-house by Ozan Biron thru BMW’s ad agency of record, Toronto’s Cundari. Charles Deenen at Source Sound LA created the visceral audio. [Watch]
Supply & Demand director/DP David Holm (an alumnus of Superfad, Digital Kitchen and Brand New School) jolts Tesla out of green into growling with this intense fusion of neck-snapping editing by Ben Jordan at Work Post, NYC and surgical sound design by Joe Mount @ Wave Studios in London. David Holm: “My [Watch]
