Ruffmercy, the UK animator/director (and Stash regular) best known for his music video work, lets loose with a magnum opus called “’88,” a gloriously chaotic 11-minute film made for The Barbican’s Jean-Michel Basquiat retrospective in London. [Watch]
A very fresh visual treatment for a motorsports broadcast promo here from Tokyo 3D masters Onesal for coverage of the World Rally Championship 2018 on the Japanese channel J Sports. [Watch]
Grab a look at the preview for STASH 134 , the brilliant new addition to The Stash Permanent Collection – the unrivalled online library of motion design for advertising, music videos, broadcast and title design, brand films, game cinematics, and short films. [Watch]
Taiwanese motion graphic designer and SCAD graduate student Celia Hsu contemplates the effects of environment on our emotions in her introspective yet dynamic animated short film “Perception.” [Watch]
Nate Sherman and Nick Vokey, the creative duo behind “Fired on Mars” (one of my favorite animated shorts of the decade) are back with another fabulous look at social norms/weirdness in the lowkey black comedy “Wet City.” [Watch]
Elastic creative directors Lisa Bolan and Nadia Tzuo opened Sony Pictures’ “Girl in the Spider’s Web” with inky, sinister CG to create “metaphor and abstract visual language to hint at the main character’s untold history.” [Watch]
