Despite virus-induced production setbacks in 2020, the universe of advertising VFX continued to expand with young studios vying with venerable post facilities for the chance to create the fun and emotion of new branded realities. [Read more]
Yes, 2020 feels like a write-off in many ways but Stash 144 proves the planet’s designers, animators, and VFX artists faced the storm with unwavering resolve and new levels of innovation. [Read more]
The campaign for Microsoft’s new Xbox Series X and Series S consoles bolts out of the gate with this visceral adventure called “Us Dreamers” from Reset director Ian Pons Jewell thru 215 McCann, with MPC’s VFX crew handling the heavy lifting. [Read more]
In 2018, Wieden+Kennedy London and Academy director Ian Pons Jewell convinced the world “Phones Are Good” and now they’ve dialed up the tongue-in-cheek quotient for Three’s 5G service with layers of unrelenting VFX from The Mill crew. [Read more]
If you wade deep enough into the mind-numbing tide of the music video genre, you will eventually find passionate, talented, and cynicism-free people producing innovative films for interesting musicians, cool events, and good causes. [Read more]
The first third of this music video by director Ian Pons Jewell (for UK musician/comedian Beardyman) is good fun but then at the 1:40 mark – thanks to the VFX crew at ETC – it turns into one of the most intense Pinocchio parodies of all time. [Read more]
