Stash 144 video preview | STASH MAGAZINE

Stash 144 Drops Two Hours of Motion Magic!

Yes, 2020 feels like a write-off in many ways but Stash 144 proves the planet’s designers, animators, and VFX artists faced the storm with unwavering resolve and new levels of innovation. [Read more]

Nike China Dear Kobe commercial | STASH MAGAZINE

Nike China “Dear Kobe” by Francois Rousselet and Mathematic

Division director Francois Rousselet and the Mathematic animation team in Paris mix live-action with inky animation in this homage to Glen Keane’s Oscar-winning animated short “Dear Basketball” for Nike China thru Wieden+Kennedy Shanghai. [Read more]

Adobe Photoshop Fantastic Voyage commercial | STASH MAGAZINE

Adobe Photoshop “Fantastic Voyage” by Antoine Bardou-Jacquet and Mathematic

The dreary tedium of a New York subway ride transforms into a 60-second psychotropic adventure courtesy of Partizan director Antoine Bardou-Jacquet and Paris VFX masters Mathematic thru 72andSunny for Adobe’s Photoshop. [Read more]

Gojek The Flow commercial by Henry Scholfield | STASH MAGAZINE

Gojek “The Flow” by Henry Scholfield and Mathematic

The Mathematic VFX crew in Paris stitch together a dizzying array of shots for Caviar director Henry Scholfield’s latest visual feast: a 60-second spot for the launch of Gojek ride-hailing and food delivery services in Vietnam. [Read more]

Stash 139 preview | STASH MAGAZINE

Preview the Brilliant Work Included in Stash 139

Jolt your inspiration circuits back to life with this preview of STASH 139 which adds another 31 outstanding motion projects (plus behind the scenes features and exclusive interviews) to over 5,500 titles included in The Stash Permanent Collection. [Read more]

Foals Like Lightning music video | STASH MAGAZINE

Foals “Like Lightning” Music Video by Virginie Kypriotis

French illustrator/director Virginie Kypriotis slips a serious environmental message into this rollicking music video for “Like Lightning” by English rock band Foals – produced by CODE with animation by Un Oeil Surtout in Paris. [Read more]