Spread across 6,000 miles, six time zones and every possible climate, the design, animation and VFX industry in Latin America represents a staggering array of talent bound together by a passion for creating outstanding work. (Watch the collection here.) Stash’s third collection of studios from across this vibrant region [Read more]
Freelance London animation director Andy Martin reveals the fine art of creating stop motion loops via his Vine-based Plasticine Rhythm project, “I have always been interested in the way visuals can effect sound and how visual loops can be brought together to create a piece of music.
“This is how I produced Plasticine Rhythm; allowing each stop motion loop, made using Vine, to dictate a sound and combining these sound loops on screen to build a compatible interplay of rhythm and melody. Once this was established I then played with all the elements, including the background color and the mini-TVs containing the loops, so every element was intrinsically linked with the music.”
James Heredia, a senior in the Motion Design program at Ringling College of Art + Design, mines his experiences growing up in Miami for this emotional and graphically striking graduation film. “I’ve always had a hard time trying to fit in with the ‘right’ crowd, so the notion of crafting an image to appeal to the [Read more]
Tokyo-based director Yuji Hariu asked us to share his crazed new VFX sci-fi short called “B-Class Cultural Heritage” which turned out to be no problem because we like a manic, bullet-riddled-romp as much as the next guy plus the film is guaranteed to make even your worst day feel like a walk in the park.
Ten years ago Frankfurt animator Walter Volbers started a personal project called MITE, a one-shot 3.5-minute CG short. A few minutes ago he finally dropped the render-intensive finished film in our inbox (render times ranged up to 3.5 hours per frame). Toolkit: XSI/softimage (RIP), Arnold, Nuke, Mootzoid, Momentum.
Inspired by George Orwell’s 1984, the Snowden leaks and the Arab Spring, London animation director Simon Russell unleashes “Dysco,” his CG experiment created “with a tight link between the audio and visual elements – the intention was to evoke an experience similar to synesthesia, where sound, vision, color and [Read more]