All is not what it seems in the aptly named “Scale,” a lovingly rendered 3D short directed by Annie Hua, Arthur Graff, Kevin Monnier and Ouirich Bounthavy in pursuit of their Master’s degree at ATI in Paris. Music by Alexandre Chaigneau. [Watch]
Zeitguised, Berlin’s grand masters of cool weirdness, help launch Odiseo Magazine No.4 with this clip called “sim | stim” which they describe as “a cargo cult of sensual nano-alchemy.”
Commissioned by independent Spanish CD Carlota Santamaría, and creative directed by Santamaría and Albert Folch for Odiseo, the film “celebrates temporary mummification of the body by engaging in an erotic relationship with shape changing clouds of synthetic material.” [Watch]
Gary Basemen launched a Kickstarter film project today inspired by the heroics of his father Ben Baseman who escaped death at the hands of the Nazi’s twice and then fought against them as a partizan for four years.
Baseman and director David Charles need the cash to travel to the Ukraine “to uncover the Holocaust experiences of Baseman’s parents, and re-imagine their heroic stories through an inspiring, fantastical, heart-wrenching odyssey.”
A worthy cause made all the more appealing with very collectable pledge perks and prizes including this limited edition Partizan poster co-designed by Baseman and Shepard Fairey based on an old photograph of Baseman’s father.
A warm, dreamlike tale of reverse evolution from director Rok Predin and producer Richard Barnett at Trunk in London, this new CG short called “One of a Kind” features 70 characters bound together by a quietly commanding VO from actor Jim Carter (“Shakespeare in Love,” “Downtown Abbey”) and music by [Watch]
The Stash permanent collection continues to grow as issue 106 archives another 31 outstanding motion design, animation and VFX projects for our loyal base of professional and student subscribers.
This issue features 90+ minutes of commercials, broadcast design, music videos, brand films, short films and behind the scenes extras from the planet’s top artists and filmmakers with production notes, toolkit and links for every project – Plus stills, style frames, exclusive interviews.?
TRY STASH FREE FOR 30 DAYS and discover the stories behind the work. [Watch]
Toronto motion veteran Matt Greenwood recently published his personal homage to design, “because even though I have been working as a designer for many years, I still love the process.”
STASH: After carefully laying out the elements of design you end with the advice to “just move things around until they feel right.” Was this intentionally contradictory or cheeky?
Matt Greenwood: The line “Just move things around until it feels right” (with a subtle emphasis on “feels”) was intended to suggest that learning the rules is important, but for me at least, using intuition is essential. I also wanted to hint at breaking these rules shouldn’t be off the table.
It may come across as dismissive, but it was intended to be more of a encouragement to not get caught up worrying if the established formula is correct, because I think visual aesthetics can be subjective. [Watch]
