Fun to watch even without the VR headgear, “Does Not Exist” claims to be the first music video for a track composed specifically for mixing in 3D sound. The film features London beatboxer Reeps One (aka Harry Yeff) and spatial audio created by Aurelia Soundworks with production, editorial and VFX by The Mill. [Watch]
In the summer of 2014 Vancouver VFX veterans The Embassy released the spectacular “Ultimate Racetrack” for BMW Canada directed and edited in-house by Ozan Biron. Almost two years later the making-of video finally drops and the wait was worth it. [Watch]
A full-on jolt of visual caffeine, Stash 117 adds another 31 stellar video projects to the Stash Permanent Collection – the planet’s largest online archive of design, animation and VFX, plus behind-the-scenes features and exclusive interviews. [Watch]
Director Shinsuke Jitsumori aims straight at the mysterious tastes of the domestic Japanese market with this super-campy retelling of Aesop’s fable “The North Wind and the Sun” for Kirin thru Dentsu.
[Watch]
M ss ng P eces director Ray Tintori and the MPC crew make the creative potential of VR visceral and personal in this spot for Google’s Tilt Brush, a powerful and affordable app that allows you to design/sketch/paint/sculpt in 3D space. [Watch]
Ice versus gold. The battle of the warring sisters – Evil Queen Ravenna (Charlize Theron) and Ice Queen Freya (Emily Blunt) – visualized by director Cedric Nicolas-Troyan and The Mill crew in a shimmering collision of live-action, CG and motion design for Universal’s “The Huntsman: Winter’s War” end credits. [Watch]
