Director/designers Alessandro Fantoni and Mario Coppola at Studio Sentempo in Milan (whose work we’ve featured here and here), turn the mechanics of laser etching into a dramatic reveal for Italian industrial technology company Angelini. [Watch]
One of the true tragedies of CG motion design is the quantity of beautiful R&D visuals that don’t make the final cut. The solution of course (which, in our opinion should be legally mandatory) is to assemble an extensive exploration reel. [Watch]
Building a motion branding toolkit for a high-profile brand management platform comes with high expectations and as this case study demonstrates, UK studio Buff Motion rises to the occasion for Frontify with both style and functionality. [Watch]
Plains Of Yonder directors Katrina Crawford and Mark Bashore (whose work we track here), reteam with the CG talents at Makmac in Barcelona for a sculptural mix of emotion and typography in their titles for the Netflix series Sirens. [Watch]
Elevating the explainer film is an underrated talent that Stash has aggressively celebrated for more than 20 years, and this latest example, produced by Berlin CG specialists Colors And The Kids for IBM, is a perfect example why. [Watch]
In one of the most technically impressive and fun CG creature performances you will see this year, the animation and VFX teams at Untold Studios and Parasol Island deliver a cephalopodic waltz for BMW thru agency Jung von Matt. [Watch]
Category Advertising, Animation, CG, Character Animation, Featured, VFX · Tags Black Kite, BMW, Diarmid Harrison-Murray, Hello Robin, Jung von Matt, Parasol Island, Tenthree