How would you visualize a track from a band who calls their music “Live n’ kickin’ American folk-country music in Hebrew.” I have no idea either, but Uri Lotan and Yoav Shtibelman in Tel Aviv decided to transport the audience to a forgotten penny arcade where a wooden doll is stuck in place and time. [Watch]
While buying gear at the auction for a bankrupt studio, animator, educator and film archivist Steve Stanchfield over at Cartoon Research spotted a VHS case labelled “Pixar Marketing Tape.” Prepare yourself. [Watch]
Inspired by an opossum living in a coffin amongst his landlord’s old halloween props, Los Angeles director/animator Justin Hilden began filling his sketchbook with possums and possum gags, “Mostly I was intrigued by their strange avoidance of trouble, a trick not unlike my own reaction to stress.” [Watch]
Gaming fans have waited 12 years for a reboot of the Doom world and now they have a taste of the relentless mayhem dropping May 13 (for Xbox One, PS4, PC) with this trailer from Reset director Joseph Kosinski and CG masters Blur Studio thru agency AKQA, all powered by the dulcet tones of Swedish hardcore punk. [Watch]
LA’s Laundry say they approached the challenge of creating new IDs for The Simpsons – arguably the most graphically identifiable broadcast property of all time – with the strategy of “keeping it recognizable visually but surprising tonally.” [Watch]
Co-directors Adrian and Quentin de Grivel at Biscuit Studio in Paris give robot dystopia a warm, atmospheric and ultimately trippy twist in this animated music video for “Le Marteau et la Plume” featuring Mali-born hip-hop artist Oxmo Puccino. [Watch]