Watch how Toronto design/animation/VFX house The Juggernaut mixes very old-school letterpress techniques with au courant lasers, drones and 3D in this spot highlighting the 10 generations behind the family-owned Dutch Vodka brand Ketel One.
Watch the spot:
[Watch]
Powered by Foreigner’s almighty power ballad “I Want To Know What Love Is,” London VFX house Electric Theatre Collective bring the house down with bang-on performances and perfect integration in Freeview “Left Behinds” directed by Rogue Films’ Sam Brown thru Leo Burnett. [Watch]
NYC freelance director/designer/animator Chris Carboni and his crew of two animators weave dozens of feature film couples into a slipstream of “I know that one” moments and clever transitions that demand repeat viewing. Chris Carboni: “The concept was born out of the central theme of the track: [Watch]
In his latest work for Activision (with one of the best/worst titles of all time), Axis director Ben Hibon keeps the engaging action and drama of his previous game pieces while shifting from his signature illustrative/stylized 3D approach toward a more conventional genre realism.
Animation and production by Axis in Glasgow, produced by Gerardo Alvarez. [Watch]
“Transcendent steampunk octopus,” said no one. Ever. Except Jon Yeo, the London based director/writer/editor and DP of “Leviathan Ages,” the VFX-driven short sweeping thru the film festival circuit for the past year powered by the authoritative VO work of Robert Blythe and atmospheric audio from Radium. [Watch]
The latest in a wonderfully wacky animated campaign for French financial services provider Cofidis from Passion Paris director Jack Antoine Charlot asking a timeless question about bikers: “Prejudice, why?” [Watch]
