While the explosion of scripted programming over the last five years has kept title design studios bustling, show opens have also emerged as an important showcase of choice for motion design passion projects. [Watch]
Motion designer Mike Russo in Brooklyn (currently at Block & Tackle): “‘Guessmas’ began last year as a way for me to round out the year with a personal project, and stretch creative muscles in the process. I have a huge love for the holidays and making content that relates to Christmas really brings a smile to my face. [Watch]
As more directors and designers added powerful and affordable 3D tools to their arsenal in 2020, the scope and quality of work continued to mature – finding broader acceptance in commercial work and exhibiting a wider emotional range. [Watch]
Creative agency Superestudio in Buenos Aires: “Designing a unified look for the visionary ESPN sports brand across all international territories, including key markets of Latin America, Africa, Oceania, and South East Asia, was epic. [Watch]
Merging found footage with an eerie acid-dipped take on classic cartoons, director/animator Marcos Sánchez spins out a magical alternate universe for “Grey to Green” by Korean pop singer Lydia Lee. [Watch]
From Buck: “[We] proudly partnered with HBO to promote their recently aired, cleverly adapted rendition of the Apollo Theatre’s 2018 stage version of Ta-Nehisi Coates’ powerful 2015 novel, “Between the World & Me.” [Watch]
