Ryan Robertson Mill+ | STASH MAGAZINE

EP Ryan Robertson joins Mill+ in Los Angeles.

After six years at Prologue working in film, VFX, broadcast and print, Ryan “Reno” Robertson joins the Los Angeles studio of Mill+ as EP of design. [Watch]

STASH 108: So Much Motion Amazingness!

The Stash Permanent Collection keeps growing with Stash 108 adding another 31 brilliant animation, VFX and motion design projects totaling over 110 minutes of inspiration and insight including our biggest line up of behind-the-scenes yet, plus exclusive interviews with the designer and directors behind the work. [Watch]

Glassworks | STASH MAGAZINE

Bares and Schleicher Join Glassworks London

After working together at The Mill and then Realise Studio, veteran production duo Jordi Bares and Paul Schleicher take up residence at Glassworks London as creative director and head of production. [Watch]

BBC Music God Only Knows | STASH MAGAZINE

Behind the Scenes: BBC Music “God Only Knows”

Grab a look at the labor behind the 90 VFX shots The Mill created for the recent BBC Music launch spot from Riff Raff director Francois Rousselet and Red Bee Media featuring 26 music stars joining Brian Wilson for a grand version of The Beach Boys’ classic “God Only Knows.” [Watch]

The Mill BBC Music | STASH MAGAZINE

Francois Rousselet and The Mill: BBC Music “God Only Knows”

It took Riff Raff director Francois Rousselet and the Red Bee Media team a full year to shoot the 26 music stars who join Brian Wilson for a grand version of The Beach Boys’ classic “God Only Knows” in this spot to launch BBC Music. The supporting VFX work from The Mill includes the crystal particle system around [Watch]

The Mill_SSE | STASH MAGAZINE

The Mill and Frederic Planchon: SSE “Maya”

IN 2013 The Mill created “98% Human” for PETA featuring a startlingly emotional performance by an all-CG chimp.

Although far more upbeat and ambitious in scope, this new spot helmed by Academy director Frederic Planchon for Scottish power company SSE, retains the intimate character subtleties, masterful rendering and perfect live action integration required to ensure 98% of humans who watch it will believe the orangutang is real. [Watch]

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