Collage of 12 colorful, surreal, and abstract artworks—featured in the Stash issue 178 preview trailer—including a soccer player, a beetle, digital figures, a smiling cartoon face, hands, a yacht, a person on a roof, and other imaginative scenes. Frame from Stash Magazine article.

Duncan Elms & Makemake Open “The Dinosaurs” on Netflix

Makemake CD Duncan Elms, whose work we track here, leads the studio’s 3D team into a mist-shrouded world of hidden giants with these titles for Steven Spielberg’s nature doc series The Dinosaurs on Netflix. [Watch]

Ripley-TV-series-spec-Title-Sequence-by-Joao-Vaz-Oliveira | STASH MAGAZINE

João Vaz Oliveira Revisits “Ripley” Title Sequence

Motion designer/director João Vaz Oliveira explores how AI tools fit into the creative pipeline by reworking his original pitch boards for the Netflix series Ripley into a spec title sequence full of shadows and intrigue. [Watch]

Stash issue 167 cover image | STASH MAGAZINE

Duncan Elms and Friends Open Camp Mograph Australia

Duncan Elms, best known as the prolific CD at Elastic in Los Angeles, gathers a troop of 14 collaborators for this elaborate sequence that opened the most recent Camp Mograph, a three-day creative sleep over in the wilds of Brisbane, Australia. [Watch]

Stash 165 cover image | STASH MAGAZINE