Balenciaga Spring '22 Clone Collection by MPC | STASH MAGAZINE

Balenciaga Spring ’22 Clone Collection by MPC

CD Marcus Dryden and the MPC crew combine deepfake AI/machine learning, a real-time game engine, and hands-on VFX work to clone American artist Eliza Douglas and wrap her in every look from Balenciaga’s Spring ’22 collection. [Read more]

"Fugue" Short Film by Optical Arts | STASH MAGAZINE

“Fugue” Short Film by Optical Arts

The crew at London studio Optical Arts, who released a flurry of motion experiments over the last 12 months, are back with more visual intrigue – this time inspired by Russian composer Dmitri Shostakovich and his Fugue in A Major. [Read more]

Catsuka Mascots Party (Full Video) | STASH MAGAZINE

Catsuka Celebrates 20 Years with Mascots Party Compilation

Over the last 12 months, more than 200 artists helped mark the 20th anniversary of animation news site Catsuka and paid tribute to founder Marc Aguesse by reinterpreting the brand’s three mascots: Capsuka, Badsuka, and P3. [Read more]

Hublot "Integral Full Sapphire" Launch Film (R&D Edit) | STASH MAGAZINE

Hublot Big Bang Integral Tourbillon Full Sapphire Launch Film (R&D Edit)

Following on striking product reveals from Frame and Korb, Swiss luxury watchmaker Hublot turns to the Tendril crew for more intimate and tangible CG beauty to launch the Big Bang Integral Tourbillon Full Sapphire (MSRP $422,000). [Read more]

"FALL" Short Film by Shihao | STASH MAGAZINE

“FALL” Short Film by Shihao

Director/animator Shihao, part of the IC-United team behind the spectacular PATTERN short, just released his graduation film – reimagining a Greek myth as future sci-fi fantasy with loads of style and obsessive detail. [Read more]

Mercado McCann Wants to Know: Is this the "Best Coke Ever?" | STASH MAGAZINE

Is Coca-Cola Zero Sugar the “Best Coke Ever?”

The creative team at Buenos Aires agency Mercado McCann lets loose with a flurry of techniques and styles in these irreverent spots, the anchors of a new global campaign for Coca-Cola Zero Sugar. [Read more]