Best of Stash 2019: Short Films
The creative challenge and promise of the self-imposed brief make the short film a treasured opportunity for both professionals taking a break from client work and students trying to launch careers with the perfect graduation project. [Read more]
Best of Stash 2019: Music Videos
If you wade deep enough into the mind-numbing tide of the music video genre, you will eventually find passionate, talented, and cynicism-free people producing innovative films for interesting musicians, cool events, and good causes. [Read more]
Best of Stash 2019: Brand Films
Longer-form marketing films unhampered by the limits of broadcast TV allow for deeper narratives which in turn often inspire forceful and innovative visuals. Here are eight brand films from 2019 we believe live up to that promise. [Read more]
Best of Stash 2019: Event Films
The creative freedom that comes with creating trailers and titles for design conferences have established these sequences as the genre of choice for visually ambitious directors. Here are seven that kept our optic nerves tingling in 2019. [Read more]
Pondering the Future of Art and Media in “The Dark Age 2.0”
Brighton, UK CG artist Chris Cousins examines questions of cultural ownership and commodity in the digital age by imagining a museum of the future where access to art of all kinds is strictly controlled. [Read more]
Rudolph Sees “Red” in Ritzy Animation’s Holiday Film
The first in-house film from Ritzy Animation in London is a rampaging holiday tale of Rudolph’s Rocky-style comeback that required two years of toil, sweat, and reindeer grooming in between the studio’s commercial work. [Read more]
