Vue Get Lost commercial | STASH MAGAZINE

Jake Scott and Electric Theatre Collective “Get Lost” in Vue

Multinational UK-based cinema chain Vue makes a case for the healthy escape from connected entertainment in this spot from RSA Films’ Jake Scott with a full order of supporting VFX from the crew at London’s Electric Theatre Collective. [Read more]

Miller Harris Gift Wrap 2019 | STASH MAGAZINE

In Praise of Silky (and Reusable) Gift Wrap

International design agency Jones Knowles Ritchie (known for high-profile clients like Dunkin’, Budweiser, and Burger King) apply their many talents to a smaller and more elegant project for London luxury perfume brand Miller Harris. [Read more]

Faire Manifesto by oddfellows | STASH MAGAZINE

Faire’s Friendly “Manifesto” by Oddfellows

Creative director Jarratt Moody and the oddfellows design and animation crew wrap this explainer for online wholesale marketplace Faire in a soft, minimal, and ultimately welcoming illustration style. [Read more]

Tomorrow’s On Fire short film by Darcy Prendergast | STASH MAGAZINE

“Tomorrow’s On Fire” Short Film by Darcy Prendergast

Darcy Prendergast, founder/director at prodco Oh Yeah Wow in the Melbourne, Australia says he made “Tomorrow’s On Fire” as a way of trying to process the devastating bushfire crisis currently ravaging his country. [Read more]

SEE main titles by Imaginary Forces | STASH MAGAZINE

Imaginary Forces Opens “See” for Apple TV+

Creative director Karin Fong follows stylistically diverse work for “Jack Ryan” on Amazon and “Tell Me a Story” on CBS All Access with these ominous/intriguing titles for the Apple TV+ series “See” which finds humans in a future without their sense of sight. [Read more]

Qualcomm Snapdragon animated commercial by MixCode | STASH MAGAZINE

Mixcode Unleashes for Qualcomm’s Snapdragon

Hot on the heels of their multi-technique work for Gogoro scooters, Taipei studio MixCode zags style-wise to deliver a jolt of hand-drawn dynamics highlighting the benefits of Qualcomm’s Snapdragon mobile game experience. [Read more]