Hornet Director Sam Mason conquers production restrictions during quarantine by using a video game controller to generate real-time racing sequences in this full-CG music video for Baltimore synthpop band Future Islands. [Watch]
Producer Samantha Cook at Meister in Portland: “Comedian Kyle Kinane asked us to create an animation to promote the launch of his album, “Trampoline in a Ditch.” Kyle and his team at 800 Pound Gorilla Records were very open about letting Meister loose with this project. [Watch]
After designing a recruitment poster for the design team at the Chinese internet giant (and his current employer) Baidu, director/animator Donerzozo extended the central astronaut character into an atmospheric full-CG passion project. [Watch]
The crew at Lucan animation studio in Cape Town, South Africa splits their time between brand-driven work and long-form animation development. “Isaura”, their latest shot at the latter features a young African protagonist and important environmental themes. [Watch]
Corporate stock footage is hilarious enough on it’s but in this video for electronic supergroup Bronson, Smuggler directors StyleWar, The Mill, and editor Noah Herzog push the genre to a brilliant new extreme. [Watch]
Working thru Blinkink in London, director Oriol Puig and the Trizz crew in Barcelona pull together CG and live-action sequences during lockdown to craft a sweeping and surreal video for Irish singer-songwriter Dermot Kennedy. [Watch]
Category 3D Style, CG, Character Animation, Featured, Music Video, VFX · Tags BlinkInk, Dermot Kennedy, Interscope Records, Island Records, Oriol Puig, TaP Management, Trizz