Chris Hopewell_Radio Head | STASH MAGAZINE

Chris Hopewell: Radiohead “Burn the Witch”

Bristol designer/director Chris Hopewell returns to directing with this spooky stop-motion folktale with a terrible twist for Radiohead’s “Burn the Witch,” recalling the style of vintage UK kid’s shows like The Trumptonshire Trilogy. [Read more]

Ogilvy Persil Dirt is Good | STASH MAGAZINE

Aardman: Stop Motion “Monster Stains” for Persil

Ten artists, three months, 340 white shirts and 2,576 stain-painted frames later, Aardman and Kode Media prove “Dirt Is Good” for Persil laundry detergent in this painstaking stop-motion film thru Ogilvy & Mather, UK. [Read more]

Stash 116 Cover | STASH MAGAZINE

Inspiration + Insight = Stash 116

With the addition of issue 116, the Stash Permanent Collection now features 4,400 of the planet’s most innovative and inspiring design, animation and VFX projects – plus behind-the-scenes features and exclusive interviews with the creative and production talent behind the work. [Read more]

McDonalds Yves Geleyn | STASH MAGAZINE

Yves Geleyn Makes Your Happy Meal Happier

Thirty crew, 12 weeks, six sets, plus hundreds of 3D-printed and hand-painted miniature characters culminate in director Yves Geleyn‘s intricate new stop-motion Happy Meal clip shot on Hornet’s stage in Brooklyn for McDonalds thru Leo Burnett UK. [Read more]

Comodo_Promax Europe | STASH MAGAZINE

Cómodo Welcomes PromaxBDA Europe to Barcelona

Barcelona creative studio Cómodo celebrate the opening of the 2016 Promax Europe event in their home town by breaking out a spectrum of styles and techniques in a rollicking “Recognition of the hours of creativity and toil, to the love and passion that we all pour into each project.” [Read more]

Aaron Sorenson Jailbreak | STASH MAGAZINE

Online Premiere: House Special’s “Jailbreak”

Stash is excited to present the online premiere of “Jailbreak,” House Special director Aaron Sorenson’s light-hearted, stop-motion wink to German Expressionism. Photographed in rich black and white, the ambitious in-house film follows the studio’s wildly successful 2015 CG short “Tale of Momentum & Inertia.” [Read more]