Magpie-Murders-Series-Opening-Titles-Huge | STASH MAGAZINE

“Magpie Murders” Series Opening Titles by Huge

The latest TV titles from Huge Designs in London combine a starkly limited palette and unexpected transitions to set the tone for Eleventh Hour Films’ Magpie Murders, a murder mystery series streaming on Britbox and PBS Masterpiece. [Watch]

Wisher TV Series Main Titles Flatwhite Motion | STASH MAGAZINE

“Wisher” TV Series Main Titles by Flatwhite Motion

Flatwhite Motion, the design studio with offices in Sydney and Qingdao, China, sets the tone for the Chinese drama series “Wisher” with a beautifully lit CG sequence touching on themes of technology, manipulation, and fate. [Watch]

Huge Designs Resident Alien SyFy | STASH MAGAZINE

Huge Opens “Resident Alien” for SyFy

Packed with useful tips for blending in with the species you’ve been sent to exterminate, the opening sequence for SyFy’s Resident Alien series was designed and directed by the TV titles specialists at Huge in London. [Watch]

BBC Winter Olympics 2022 Balazs Simon Blinkink | STASH MAGAZINE

BBC Winter Olympics “Extreme by Nature” by Balazs Simon and Blinkink (with Making-Of Video)

With a labor-intensive mix of in-camera effects, 3D-printed stop-motion, and algorithmic CGI, Blinkink director Balázs Simon showcases “how Olympians push themselves to the extreme” for the BBC Winter Olympics coverage. [Watch]

Netflix Archive 81 Opening Titles Antibody | STASH MAGAZINE

Netflix “Archive 81” Techno-Gothic Title Sequence by Antibody

Antibody directors Patrick Clair and Raoul Marks conjure a murky and sinister sequence to set the tone for Archive 81, the new Netflix thriller/ghost story that arises thru the efforts of an archivist restoring damaged vintage videotapes. [Watch]

FX Networks The Choe Show Impactist | STASH MAGAZINE

“The Choe Show” Broadcast Package by Impactist for FX Networks

Kelly Meador and Daniel Elwing (aka Impactist) in Portland, OR: “In the FX series The Choe Show, artist David Choe explores relationships via paint and patter, finishing with portraits of guests rendered at the end of each exchange.” [Watch]