Ready for visual overload? Then you’re gonna love Stash 118 as it jams yet another 31 video projects into the Stash Permanent Collection – the planet’s largest online archive of design, animation and VFX, plus behind-the-scenes features and exclusive interviews. [Watch]
It’s an indisputable fact that over-eating is detrimental to human health, but the effects of gluttony on species in the wild has never been well-documented. That all changed with the release of this groundbreaking nature mini-doc from Berlin animation and visual effects studio LUMATIC. [Watch]
New York art director John Likens redirects his considerable design skills away from his usual high-end film and TV work for a personal experiment called PRIMA “initiated after doing some R&D on different techniques inside Maxon’s Cinema 4D.” [Watch]
Directed by Alex Sherwood, Ben Harper and Sean Mullen at Giant Animation Studios in Dublin, this atmospheric CG tale of loss and longing teases out its dark secrets with pacing and cinematography designed to keep you off balance and unnerved. [Watch]
In “OSSA,” Milan director/animator Dario Imbrogno blurs the line between the making-of video and final film, not only revealing the mechanics of stop motion’s armatures and cinematography but carefully incorporating them as dramatic elements in the narrative. [Watch]
Meet Rene Fustercluck, one of two men left standing after the man-made apocalypse and the comic lynchpin of Sam Southward’s spectacular (and not altogether SFW) graduation film “After the End” produced at the National Film and Television School in London. [Watch]
