The first in-house film from Ritzy Animation in London is a rampaging holiday tale of Rudolph’s Rocky-style comeback that required two years of toil, sweat, and reindeer grooming in between the studio’s commercial work. [Watch]
The in-house shorts program at London’s Blue Zoo produces some wonderful films including “Lynx & Birds” featured on the cover of Stash 127. This time out, the studio turns its considerable character talents to the problem of finding that big idea. [Watch]
The animation crew at The Line in East London help director Wesley Louis explore his family’s Caribbean roots in a rollicking sci-fi adventure centered on Connie, a young British girl, and a mysterious giant robot. [Watch]
Four years ago London animation house The Line introduced the world to the “rowdy boy racer, hipster hybrids” Amaro and Walden. Now the cartoon duo is back, selling weed and complaining about their neighborhood’s changing demographics. [Watch]
From motion and design studio Mr Kaplin in London: “Tink is a studio project that evolved from a series of animations experiments we created in April 2018. [Watch]
GIANTSTEP directors Jake Ferguson and Heebok Lee on their opening titles for the OFFF Barcelona 2018 conference: “This sequence is about McLuhan’s famous quote ‘The medium is the message’ infused with the Greek myth of Gemini. [Watch]
