Zepplin_Dior | STASH MAGAZINE

Zeppelin Pictures for Dior x 2

Paris prodco Zeppelin Pictures elevate the art of gifting with precise staging, dramatic lighting and a whole lot of luxe in these two black and gold CG dreams for legendary French fashion house Dior. Produced thru the Malherbe Retail Design agency with music by Mael Oudin. [Read more]

Passion Paris Cofidis | STAHSH MAGAZINE

Passion Paris: Cofidis “Les motards, Préjugés, pourquoi?”

The latest in a wonderfully wacky animated campaign for French financial services provider Cofidis from Passion Paris director Jack Antoine Charlot asking a timeless question about bikers: “Prejudice, why?” [Read more]

“Welcome to Airbnb” Behind the Scenes

Five weeks and 85 takes later, Cirkus director Christian Greet and crew wrap “Welcome to Airbnb,” a one-minute, one-shot, CG and animation-free project shot with a custom toy train-cam careening through an insanely detailed miniature set where all the transitions happen by hand in real time. Agency: TBWA\Singapore.

The finished spot:
[Read more]

Brikk_Redcross | STASH MAGAZINE

Brikk: Red Cross “In Another Christmas Carol”

Academy directing collective Brikk (Björn Johansson, Josef Andersson and Samuel Fast) craft an updated retro look for the Swedish Red Cross, clearly illustrating a less than brilliant version of Christmas despite the lack of sub-titles. [Read more]

Interstellar Time Capsule Intro

Elastic CD/filmmakers David Brodie and Angus Wall introduce the ambitious and quietly emotional Interstellar Time Capsule project which invites you to contribute multi-media evidence humans are worthy inhabitants of planet Earth.

Powered by Google Play and curated by Christopher Nolan with production by Elastic and finishing by a52. [Read more]

Gentleman Scholar: Lexus’s LF-C2 “Solar Eclipse”

Combining sleek live footage of the previously unseen Lexus LF-C2 concept with ominous matte paintings, Gentleman Scholar and Team One indulge in what a friend of mine likes to call vehicular porn.

“Playing with illumination and carefully manipulating shadow, we hoped to tell a story with atmospheric wonder and stunning visuals. By hand-painting vast, dreamlike expanses and weaving them with tightly composed shots of the vehicle’s sleek contour, our goal was to leave viewers ruminating on the exciting future of automotive design.” [Read more]