Psyop and CD Gerald Ding spent six days in Kingston, Jamaica, scouting for talent and locations to serve as the base for their free-wheeling 2D cel animation in one of three videos commissioned by The House of Marley to launch the company’s latest portable audio system, an eco-friendly Bluetooth beauty called the Get Together. [Read more]
This issue features 90+ minutes of commercials, broadcast design, music videos, brand films, short films and behind the scenes extras from the planet’s top artists and filmmakers with production notes, toolkit and links for every project – Plus stills, style frames, exclusive interviews.?
If you’ve seen the work The Embassy kicks out for features like “Elysium” and “Enders Game” you won’t be surprised by the Vancouver studio’s seamless execution in this Gymkhana-inspired clip for BMW Canada (featuring the 430Hp M4) directed and edited in-house by Ozan Biron thru BMW’s ad agency of record, Toronto’s Cundari. Charles Deenen at Source Sound LA created the visceral audio. [Read more]
Supply & Demand director/DP David Holm (an alumnus of Superfad, Digital Kitchen and Brand New School) jolts Tesla out of green into growling with this intense fusion of neck-snapping editing by Ben Jordan at Work Post, NYC and surgical sound design by Joe Mount @ Wave Studios in London. David Holm: “My [Read more]
MPC won the only VFX Film Craft Gold Lion handed out at Cannes this year for this complex and ambitious :90 Assassins Creed, Black Flag: “Defy” spot directed by Adam Berg at Stink thru the Sid Lee agency in Paris. Have a look at how MPC’s VFX team, led by Franck Lambertz and Fabian Frank pulled it off, then watch the finished spot below.
Cannes’ first Grand Prix for product design went to a line of clothing curated by Pharrell Williams for denim house G-Star Raw called “Raw for the Oceans” (cuz the jeans are made from plastic scavenged from the ocean). The animated video by Glassworks Amsterdam and London’s Animade, commissioned by FHV [Read more]