Business Club director Tom Noakes teams with London post/VFX house Black Kite to conjure a weirdly light-hearted post-apocalypse for KFC’s collab with Marvel Studios’ Avengers: Doomsday thru ad agency Mother. [Watch]
Wrangling 700 3D‑printed athletes and a dozen pyro techniques, director Yannis Konstantinidis and the fearless stop-motion crew at NOMINT craft a dazzling trailer for the BBC’s coverage of the 2026 Winter Olympic Games. [Watch]
In one of the most technically impressive and fun CG creature performances you will see this year, the animation and VFX teams at Untold Studios and Parasol Island deliver a cephalopodic waltz for BMW thru agency Jung von Matt. [Watch]
The incredible variety of motion work included in the Stash Permanent Collection is a major part of what makes it a vital creative resource, and our latest issue is a perfect example. Grab a peak at Stash 168 with this preview. [Watch]
With “In Hot Water”, NOMINT’s latest environmental epic for WWF premiering at COP29, the London studio continues to push the boundaries of stop-motion – this time capturing the animation entirely on a thermal camera. [Watch]
If the purpose of a product film is to convey the essence and feel of that project, then this intimate and tangible new work from ManvsMachine (with DOP Jake Gabbay) for reMarkable is an unqualified success. [Watch]
