DixonBaxi Broadcast Design| STASH MAGAZINE

DixonBaxi Takes on the Premier League

London motion mavens DixonBaxi rethink how the Premier League connects with its two billion football fans, constructing a striking and expansive new broadcast packaging including show titles, in-match graphics, augmented-reality, touch-screen, studio graphics, and soundtrack. [Watch]

Kevin DeYoung Biggest Story | STASH MAGAZINE

“The Biggest Story” Chapter 1

Commissioned by a not-for-profit Christian ministry to promote a book by Kevin DeYoung, this vibrant and detail-rich sequence from the team of Vancouver animator/CD Jorge Rolando Canedo Estrada (aka Jr.canest) and Seattle illustrator/designer Don Clark will appeal to both believers and heretics alike. [Watch]

STATE design| STASH MAGAZINE

Style and Style Frames from STATE Design’s “Statement”

LA studio STATE Design celebrates its third year with a new space, new website and this animated self-promo piece showcasing the company’s diverse range of talents and extolling their boutique values. Have a look at some of the development art as well as the finished piece. [Watch]

Slack Traffic | STASH MAGAZINE

Giant Ant: Caught in Slack “Traffic”

The team at Giant Ant in Vancouver take their latest open brief from Slack deep into bright-and-happy land via this bouncy 3D mini-opus, with post-production from The Sequence Group, and music/sound design from Antfood. [Watch]

Claro Sports Olympics 2016 | STASH MAGAZINE

Inspired Style Frames Channel the Spirit of Brazil

Gabriela Badillo and Enrique Sañudo at design and animation studio COMBO, conjure a welcome mix of graphic elegance and vibrant joy in this pitch to Mexican Channel TV Claro Sports for a broadcast ID promoting the broadcaster’s coverage of the 2016 Olympics in Rio. [Watch]

Daniels_Nike Unlimited | STASH MAGAZINE

Daniels and The Mill for Nike “Unlimited You”

What’s the secret to punching out of the Rio Olympics ad barrage? Start with a killer script from W+K Portland calling for A-list sports celebs, hire Prettybird directing duo DANIELS to shoot it, hand the footage to editor Angus Wall at Rock Paper Scissors, then let The Mill handle VFX and grade. [Watch]