Zeitguised, Berlin’s grand masters of cool weirdness, help launch Odiseo Magazine No.4 with this clip called “sim | stim” which they describe as “a cargo cult of sensual nano-alchemy.”
Commissioned by independent Spanish CD Carlota Santamaría, and creative directed by Santamaría and Albert Folch for Odiseo, the film “celebrates temporary mummification of the body by engaging in an erotic relationship with shape changing clouds of synthetic material.” [Watch]
London branding powerhouse DixonBaxi just launched their new site with a slew of new work including this punchy broadcast redesign for Sony TV across Latin-America anchored by clean typography, flat graphics and sleek CG. [Watch]
Glassworks Amsterdam director/animator Daniel Hope takes liberties with the natural order of predator-prey releationships in these two CG-masquerading-as-stop-motion clips for the bi-annual ad-scene networking events in Amsterdam called X-Pollination. [Watch]
A warm, dreamlike tale of reverse evolution from director Rok Predin and producer Richard Barnett at Trunk in London, this new CG short called “One of a Kind” features 70 characters bound together by a quietly commanding VO from actor Jim Carter (“Shakespeare in Love,” “Downtown Abbey”) and music by [Watch]
Psyop and CD Gerald Ding spent six days in Kingston, Jamaica, scouting for talent and locations to serve as the base for their free-wheeling 2D cel animation in one of three videos commissioned by The House of Marley to launch the company’s latest portable audio system, an eco-friendly Bluetooth beauty called the Get Together. [Watch]
European broadcast branding veterans BDA Creative team with the CG crew at London’s Studio Hansa to refresh the on-air look for the Fine Living Channel across Europe, the Middle East and Africa with a finely detailed, photo-real and full-3D treatment
“Due to budgetary factors and logistics, shooting six wildly varying scenes was not an option (the scenes needed to embody smartly designed spaces that could be international and aspirational). We decided that the best option was to go totally CGI for flexibility, control and efficiency.”
WATCH HERE. [Watch]
