Invasion film prologue | STASH MAGAZINE

Creating the Prologue for Fyodor Bondarchuk’s “Invasion”

Director Fyodor Bondarchuk’s recently released Scifi film “Invasion” begins with this intricate and multi-layered prologue created by Moscow CG specialists Dobro to visualize the memories of an alien AI. [Read more]

The Great Hack title sequence by Ash Thorp | STASH MAGAZINE

“The Great Hack” Opening Titles by Ash Thorp

In his titles for the new Netflix doc “The Great Hack,” director/designer Ash Thorp asks “How do you show data being bought, sold, and weaponized in an artful and meaningful way? [Read more]

Aquaman Main on End Titles by Filmograph | STASH MAGAZINE

“Aquaman” Main on End Title Sequence

Creative directors Aaron Becker and Simon Clowes at Los Angeles prodco Filmograph crafted this richly detailed sequence of sculptural tableaux to close director James Wan’s first venture into the DC Universe. [Read more]

Best of Stash 2018 Title Design | STASH MAGAZINE

Best of Stash 2018: Title Design

Setting the tone and creating anticipation for a live event, feature film, or television series is both an enormous responsibility and a cherished creative opportunity. Here’s seven title sequences that rose above and beyond in 2018. [Read more]

“Ant-Man and the Wasp” Main-on-End Titles by Elastic

Elastic: “At long last, Elastic is thrilled to share the Main on End for Marvel’s Ant-Man and The Wasp, from creative director Andy Hall and the team. [Read more]

Deadpool 2 main titles John Likens | STASH MAGAZINE

Director John Likens on “Deadpool 2” Opening Titles

NY director/designer John Likens (who just won the 2018 Emmy Award for Outstanding Graphic Design and Art Direction for his work on the doc “Blood Road”) reveals how his CG title sequence for “Deadpool 2” came together at Method Studios. [Read more]