The Stash permanent collection continues to grow as issue 106 archives another 31 outstanding motion design, animation and VFX projects for our loyal base of professional and student subscribers.
This issue features 90+ minutes of commercials, broadcast design, music videos, brand films, short films and behind the scenes extras from the planet’s top artists and filmmakers with production notes, toolkit and links for every project – Plus stills, style frames, exclusive interviews.?
TRY STASH FREE FOR 30 DAYS and discover the stories behind the work. [Watch]
Category Advertising, Animation, Broadcast Design, BTS, CG, Character Animation, Featured, Motion Design, Music Video, Short Films, Student Work, VFX · Tags Stash
If you’ve seen the work The Embassy kicks out for features like “Elysium” and “Enders Game” you won’t be surprised by the Vancouver studio’s seamless execution in this Gymkhana-inspired clip for BMW Canada (featuring the 430Hp M4) directed and edited in-house by Ozan Biron thru BMW’s ad agency of record, Toronto’s Cundari. Charles Deenen at Source Sound LA created the visceral audio. [Watch]
Amsterdam film/graphic/production company Woodwork share the crafty behind-the-scenes workings of their new spot for Travelbird a fast-growing european online travel agency. [Watch]
A solid idea from Mother London and bang-on execution from MJZ director Juan Cabral and a crew of 15 MPC VFX artists keeps IKEA’s ‘The Wonderful Everyday’ campaign going with this very-watchable spot which gains even more altitude via Prunella Scales’ reading from “The Tempest.” The MPC team, led by [Watch]
The CG Student Awards continue to grow at an astounding rate, doubling last year’s entry total to 650, piling on sponsors, tripling their site traffic and matching more talent with studio internships and employment. Have a look at the winners here. [Watch]
Back in January we posted about the Kickstarter for “Auroras,” LA director Niles Heckman‘s seven-minute sci-fi short film about “love, separation, and having to say goodbye.” The campaign raised $12,656 (surpassing the $10K goal) to complete the film’s audio and feature-level VFX set pieces. [Watch]
