For a curator, few things compare to the jolt of excitement when you stumble upon promising talent, especially if their work is still very personal and not yet burdened with the harsh realities of the design business [Watch]
The frustration of slow mobile downloads perfectly expressed in three over-the-top metaphor-dramadies courtesy of the all-Buenos Aries team of director Jonathan Gurvit, VFX house La Posta and agency Del Campo Saatchi & Saatchi for the BGH G4 LTE smartphone. [Watch]
If you were wondering why Baymax in Big Hero 6 looked so good (or you just want a primer in CG rendering), check this 10-min film from Walt Disney Animation Studios explaining how path tracing works and how their Hyperion renderer makes it possible to, for example, render vast city scenes with out the use of matte painting extensions. [Watch]
The crew at Aixsponza in Munich show off their collective skills for surreality in this startling full-CG in-house project called “Seed,” a hyper-detailed trip deep into photoscanning territory. [Watch]
CDs Chris Bahry, Alexandre Torres and the Tendril crew help Canada’s Space Channel go beyond their core demo of young men in search a broader (read female) audience with a stunning set of macro-world IDs. [Watch]
Troublemakers director Icecream (aka art director/motion designer Nicolas Dufoure) delivers a dark and brooding version of T. S. Eliot’s “The Wasteland” for the second of three films launching The Josephine Hart Poetry Foundation’s Poetry Movement program. Sound design and music by CypherAudio. [Watch]
