Imaginary Forces Teases Avatar The Last Airbender Series for Netflix | STASH MAGAZINE

Imaginary Forces Teases “Avatar: The Last Airbender” Series for Netflix

With a nod to the original 2005 Nickelodeon animated series, Imaginary Forces CDs Anthony Gibbs and Tosh Kodama hint at the drama and conflict underlying the new Netflix live-action version of Avatar: The Last Airbender. [Watch]

Best of Stash 2022 TITLE and BROADCAST DESIGN | STASH MAGAZINE

Best of Stash 2022: Title and Broadcast Design!

The obvious vitality and sheer variety apparent in these projects tell us one thing: 2022 was an exceptional year for designers charged with setting the tone for visual programming in television, film, and games. [Watch]

Wednesday Series Main Title Sequence Filmograph | STASH MAGAZINE

“Wednesday” Series Main Titles by Filmograph

Director Tim Burton’s first shot at television, the new Netflix series Wednesday, opens with these appropriately spooky and only occasionally kooky titles from CD Aaron Becker and the crew at Filmograph in LA. [Watch]

The Mill Peaks Inside Guillermo del Toro’s “Cabinet of Curiosities”

Director Chet Hirsch and ECD Mike Schaeffer at The Mill spin up an enigmatic and disorienting sequence in these titles for Guillermo del Toro’s new Netflix horror anthology series Cabinet of Curiosities. [Watch]

Sarofsky-The-Gray-Man-titles-Netflix | STASH MAGAZINE

Sarofsky Sculpts “The Gray Man” Titles for Netflix

Following their collaboration on Captain America: The Winter Soldier, the Sarofsky crew reteam with the Russo brothers to package the directing duo’s Netflix spy thriller The Gray Man in hyper-detailed CG vignettes and bold typography. [Watch]

Alberto Mielgo Love, Death Robots Jibaro Animatic | STASH MAGAZINE

Alberto Mielgo Shares Love, Death & Robots “Jibaro” Animatic

For many Love, Death & Robots fans, Alberto Mielgo’s “Jibaro” – a boundary-pushing CG tale of a siren and a deaf knight – was the high point of season 3. And now we have a glimpse into the Spanish direct/animator’s creative process with the release of this animatic segment used during production of the final 15-minute film. [Watch]