A collage of four stylized illustrations from the Any Run & Everyone film: a person wearing sunglasses, two people running on a path, a person running over stylized trees, and a smiley face icon held between two halves of a brain. Frame from Stash Magazine article.
A grumpy-looking felted black cat sits next to a shattered ceramic cup on a yellow background, reminiscent of the Petey and Barnadette brand films. Frame from Stash Magazine article.

Howatson+Company Peek at the Pet’s POV for Petbarn

Australian creative agency Howatson+Company merges 3D, 2D, VFX, and generative AI into a fun and fuzzy mock-stop-motion treatment for this set of films anchoring a new campaign for pet care retailer Petbarn. [Watch]

A Polestar collage featuring artistic motion blur and brushstroke effects on its Prime front, wheel, interior door handle, and rear taillight. Frame from Stash Magazine article.

Brickland Blurs the Line for Polestar’s Prime Package

In their latest work for premium EV marque Polestar, Swedish CG studio Brickland intros the company’s Prime equipment package with a stripped down and slightly surreal Houdini-intensive treatment. [Watch]

Beige Alo handbag with a perforated surface, featuring an Alo-branded luggage tag and a decorative stone charm, as seen in films by Tendril. Frame from Stash Magazine article.

Air, Breath, & Quiet Luxury: Tendril Intro’s Alo’s Handbags

LA-based premium athletic apparel retailer Alo Yoga introduces a line of handbags to their catalogue with two carefully crafted CG spots from the Tendril crew lead by co-directors Daena Lorne and Pablo Alfieri. [Watch]

A Washington Post page about a camera network used for stalking, presented as a Relentless campaign film by Blinkink and Uncommon, heavily obscured by red geometric shapes, black redaction bars, and hand-written annotations. Frame from Stash Magazine article.

Sabih Mahmood’s Relentless Motion for The Washington Post

Working thru Blinkink, director Sabih Mahmood builds up layers of gritty urgency to match a compelling script by the NY office of Uncommon Creative Studio in their first work for the Washington Post. [Watch]

A scientist in a lab coat examines a flask, surrounded by abstract, colorful shapes resembling cells and molecules on a swirling pastel background—a vibrant scene that captures the innovative spirit of UBC’s biotech research and the imaginative vision of AIM Creative. Frame from Stash Magazine article.

AIM Creative Adds Fuel to UBC’s Biotech Boom

Following up on their launch film for the University of British Columbia’s Push Forward campaign, AIM Creative re-teams with agency ONE23WEST to showcase the school’s innovations at the forefront of biotech. [Watch]