Director Diego Coutinho at Hi-Lo animation/motion design studio in LA experiments with dried blood as a way to add drama and an element of unpredictability to these crime documentary opening titles. [Watch]
The obvious vitality and sheer variety apparent in these projects tell us one thing: 2022 was an exceptional year for designers charged with setting the tone for visual programming in television, film, and games. [Watch]
UK broadcaster Channel 4 marks the 40th anniversary of both the network and Raymond Briggs’ instant classic Christmas special The Snowman with a sweet holiday ID featuring characters from the original program and its sequel. [Watch]
With atmospheric macro photography and careful grading, director/CD Aaron Becker and the team at Filmograph transform the vinyl record mastering process into perfectly paced titles for the Showtime docuseries “George & Tammy”. [Watch]
Join Beijing animator/illustrator KKicKK.band and his Deeeeer-Lab studio on a frantic and genre-jumping animated collaboration for GCORES, the Chinese gaming and gaming culture site. [Watch]
CDs Jon Berkowitz, Brad Colwell, and their crew at Aspect in North Hollywood team with Toronto illustrator Kagan McLeod to add depth and character to Marvel’s She-Hulk: Attorney at Law series with these fun end credits. [Watch]
