The Snowman Celebrates 40 Years on Channel 4 | STASH MAGAZINE

The Snowman Celebrates 40 Years on Channel 4

UK broadcaster Channel 4 marks the 40th anniversary of both the network and Raymond Briggs’ instant classic Christmas special The Snowman with a sweet holiday ID featuring characters from the original program and its sequel. [Watch]

George and Tammy Main Titles Filmograph | STASH MAGAZINE

“George & Tammy” Main Title Sequence by Filmograph

With atmospheric macro photography and careful grading, director/CD Aaron Becker and the team at Filmograph transform the vinyl record mastering process into perfectly paced titles for the Showtime docuseries “George & Tammy”. [Watch]

KKicKKband x GCORES KKicKK CORE Short Film | STASH MAGAZINE

KKicKK.band x GCORES = “KKicKK CORE” Short Film

Join Beijing animator/illustrator KKicKK.band and his Deeeeer-Lab studio on a frantic and genre-jumping animated collaboration for GCORES, the Chinese gaming and gaming culture site. [Watch]

She Hulk Attorney at Law Main On End Titles Aspect | STASH MAGAZINE

“She-Hulk: Attorney at Law” Main-On-End Titles by Aspect

CDs Jon Berkowitz, Brad Colwell, and their crew at Aspect in North Hollywood team with Toronto illustrator Kagan McLeod to add depth and character to Marvel’s She-Hulk: Attorney at Law series with these fun end credits. [Watch]

Murdaugh Dynasty HBO Max titles Spillt Opens Spillt | STASH MAGAZINE

Spillt Opens “Low Country: The Murdaugh Dynasty” on HBO Max

From the team at Spillt in Denver, CO: “‘Low Country: The Murdaugh Dynasty’ is a chilling, three-part docuseries that chronicles the legacy of the Murdaugh family, whose century-long influence over the legal system in South Carolina’s Lowcountry unravels amid accusations of fraud, deception, and murder. [Watch]

Suture Title Sequence by First Fight | STASH MAGAZINE

First Fight Drop AI-Enhanced Title Sequence for “Suture”

André Foster, CD/partner at design and animation studio First Fight in Detroit: “With help from Midjourney, we created a series of AI-generated frames for the opening credits of a fictional television show called ‘Suture’.” [Watch]