UK broadcaster Channel 4 marks the 40th anniversary of both the network and Raymond Briggs’ instant classic Christmas special The Snowman with a sweet holiday ID featuring characters from the original program and its sequel. [Watch]
With atmospheric macro photography and careful grading, director/CD Aaron Becker and the team at Filmograph transform the vinyl record mastering process into perfectly paced titles for the Showtime docuseries “George & Tammy”. [Watch]
Join Beijing animator/illustrator KKicKK.band and his Deeeeer-Lab studio on a frantic and genre-jumping animated collaboration for GCORES, the Chinese gaming and gaming culture site. [Watch]
CDs Jon Berkowitz, Brad Colwell, and their crew at Aspect in North Hollywood team with Toronto illustrator Kagan McLeod to add depth and character to Marvel’s She-Hulk: Attorney at Law series with these fun end credits. [Watch]
From the team at Spillt in Denver, CO: “‘Low Country: The Murdaugh Dynasty’ is a chilling, three-part docuseries that chronicles the legacy of the Murdaugh family, whose century-long influence over the legal system in South Carolina’s Lowcountry unravels amid accusations of fraud, deception, and murder. [Watch]
André Foster, CD/partner at design and animation studio First Fight in Detroit: “With help from Midjourney, we created a series of AI-generated frames for the opening credits of a fictional television show called ‘Suture’.” [Watch]
