Inspiring and surprisingly emotional compilation of thoughts and rants from writer/director Brad Bird (‘The Iron Giant’, ‘The Incredibles,’ ‘Ratatouille’) on his creative process and why animation is not a genre – assembled by Kees van Dijkhuizen Jr., a young film editor from the Netherlands. [Watch]
And the award for the best animated interpretation of classical music in a short film goes to “Preston,” a visceral mini-masterwork of pugilistic excess set to Franz Liszt’s Hungarian Rhapsody No.2 – created by students at French animation/VFX school ISART Digital as their graduation project. [Watch]
Join 35 STYLE FRAMES speakers plus an audience full of designers, directors, animators, ADs, CDs, ACDs, ECDs, producers and EPs, HOPs, VPs, SVPs, VFX artists/supervisors, educators, audio and interactive designers plus VR producers, from all sides of the creative industry. [Watch]
When Donald Trump called Hilary Clinton a “nasty woman,” he unintentionally created a rallying cry for women voters and he also helped reframe how we see women struggling for respect in a world dominated by men. [Watch]
The Aardman Nathan Love crew blow right past their regular 3D character animation parking space to join director Kris Merc in the pop-culture passing lane with this seizure-inducing torrent of multimedia disguised as the music video for Kool Keith X MF Doom ”Super Hero.” [Watch]
Julian Ticona Cuba, one half of the German creative team known as Noise (with Daniel Bartels) weaves sombre and mysterious visuals with the hypnotic poetry of UK wordsmith Johnny BANG Reilly in this director’s cut of “Nightfall” for Universal Music. [Watch]
