Pepsi Back Your Black | STASH MAGAZINE

Egyptian Rap + Pepsi = “Back Your Black”

Good People director (and former agency creative director) Maged Nassar’s newest work features Egyptian rap artists Abyusif and Marwan Pablo in a kinetic high-contrast spot/music video full of gritty motion and post work. [Read more]

TOKiMONSTA - Fried for the Night feat. EARTHGANG | STASH MAGAZINE

TOKiMONSTA “Fried for the Night (feat. EARTHGANG)” Music Video

Just when you thought it was safe to smoke weed again, Little Minx director Romain Laurent and French motion designer Clément Morin unleash the hard and hallucinatory truth in this video for the first single off the TOKiMONSTA’s album Oasis Nocturno. [Read more]

Stash 139 preview | STASH MAGAZINE

Preview the Brilliant Work Included in Stash 139

Jolt your inspiration circuits back to life with this preview of STASH 139 which adds another 31 outstanding motion projects (plus behind the scenes features and exclusive interviews) to over 5,500 titles included in The Stash Permanent Collection. [Read more]

DS7 Crossback commercial | STASH MAGAZINE

Mischa Rozema Takes the DS7 Crossback for a Spin

Director Mischa Rozema and his VFX team at Post Panic in Amsterdam conjure an “electrically charged beast” to reflect the hybrid power and offroad talents of the new DS7 Crossback in this dramatic spot thru Publicis La Maison. [Read more]

Vue Get Lost commercial | STASH MAGAZINE

Jake Scott and Electric Theatre Collective “Get Lost” in Vue

Multinational UK-based cinema chain Vue makes a case for the healthy escape from connected entertainment in this spot from RSA Films’ Jake Scott with a full order of supporting VFX from the crew at London’s Electric Theatre Collective. [Read more]

Audible Temptations commercial | STASH MAGAZINE

Audible Keeps Screen “Temptations” at Bay

Agile Films director Simon Willows and the London prodco’s animation/VFX sibling Agile Studios help position Audible as the calmer alternative to mindless scrolling in this kinetic :30 thru London agency Fold7. [Read more]