The Marathon | Santander Bank commercial | STASH MAGAZINE

Santander’s Piggy Returns in “The Marathon”

The CG creature crew at Framestore reteam with Rattling Stick director Daniel Kleinman and Arnold Worldwide to create the sophomore adventure for Santander’s porcine hero (watch the first Piggy epic here). [Read more]

Intel AI commercials by Aggressive | STASH MAGAZINE

Getting Aggressive About “Intel AI”

From directors Alex Topaller and Daniel Shapiro at Aggresive: “For ‘AI on Intel’ we told five real stories of Intel’s technology in action – from stopping poaching in Africa to powering the world’s first face-controlled wheelchair, in each film we combined tech-inspired CG with cinematic live-action.” [Read more]

Fight GloBALL Warming in Bonds X-Temp | STASH MAGAZINE

Bonds X-Temp Briefs Fight GloBALL Warming

From the release: Leo Burnett creative director, Michelle Walsh: “Every bloke gets hot, sweaty balls (so I’m told) but they’ll rarely talk about it, let alone do something about it. [Read more]

Reebok Pump by The Others Director’s cut | STASH MAGAZINE

“Reebok Pump” by The Others (Director’s Cut)

From The Others animation studio in Barcelona: “The Reebok Pump line of athletic shoes was first released in 1989. It was the first shoe to have an internal inflation mechanism that regulated a unique fitting cushion in the lower and upper tongue to provide locking around the ankle. [Read more]

Travis Scott Wake Up Music video VFX by Scissor Pictures | STASH MAGAZINE

Travis Scott “Wake Up” Directed by Jonah Hill

Los Angeles post house Scissor Films provides plenty of surreal VFX enhancement for Jonah Hill’s post-party-apocalypse treatment of “Wake Up,” the latest single from Travis Scott’s third album Astroworld. [Read more]

The Great Hack title sequence by Ash Thorp | STASH MAGAZINE

“The Great Hack” Opening Titles by Ash Thorp

In his titles for the new Netflix doc “The Great Hack,” director/designer Ash Thorp asks “How do you show data being bought, sold, and weaponized in an artful and meaningful way? [Read more]