Posted on October 9, 2014
It took Riff Raff director Francois Rousselet and the Red Bee Media team a full year to shoot the 26 music stars who join Brian Wilson for a grand version of The Beach Boys’ classic “God Only Knows” in this spot to launch BBC Music. The supporting VFX work from The Mill includes the crystal particle system around [Watch]
Posted on September 26, 2014
New York design house Gretel rebrands US broadcaster mun2 with a bold, relentless energy “setting firm but flexible guidelines for everything from logo usage, talent photography, iconography, typesetting and animation style.” [Watch]
Posted on September 20, 2014
Issue 107 adds another 1.5 hours of inspiration and insight to the Stash Permanent Collection of over 4,000 outstanding animation, VFX and motion design projects including behind the scenes features and exclusive interviews with the talent behind the brilliance. [Watch]
Category Advertising, Animation, Broadcast Design, CG, Character Animation, Featured, Motion Design, Music Video, Short Films, Student Work, VFX · Tags
Posted on September 17, 2014
Reset TV claims their “Letris” formatted TV product “combines the intensity and strategy of Scrabble and the excitement and quick pace of Tetris.” Hmm, not sure I’ll be watching anytime soon but the frenetic CG title sequence by Physalia ranks as possibly the coolest game show open ever. [Watch]
Posted on September 12, 2014
Buenos Aires motion studio Lumbre just finished their first project for FOX Sports USA: This hardcore launch spot and toolkit for the 20th season of “The Ultimate Fighter” featuring 16 female fighters all shot on location in Vegas. [Watch]
Posted on September 4, 2014
Although best known for their striking 3D animated work, London’s ManvsMachine rebrand the film domain of UK broadcaster Channel 4 with an intriguing mix of live action, stop motion (the logo) and digital post production (provided by Analog).
MvsM say they developed “a contemporary take on a classic film strip / projector effect… to give the package a visual signature beyond the logo.
“The idents see the technique applied to cinematic live action compositions, presenting the Film4 logo in various locations. Each location/scene carefully crafted to elicit a variety of different moods.
“Idents begin ambiguously before seamlessly branching off into one of three possible endings, making minimal adjustments to shift the mood dramatically.”
Watch the finished IDs with all three of their alternate endings:
[Watch]