With the addition of issue 116, the Stash Permanent Collection now features 4,400 of the planet’s most innovative and inspiring design, animation and VFX projects – plus behind-the-scenes features and exclusive interviews with the creative and production talent behind the work. [Watch]
Tokyo-based director Alessandro Pacciani travels to Shanghai to capture BMW’s M4 then conjures 90 seconds of vehicular adrenaline called “Factory Trailer” with the help of editor Marco Battiloro and the VFX skills of Warsaw post house Juice. [Watch]
Barcelona creative studio Cómodo celebrate the opening of the 2016 Promax Europe event in their home town by breaking out a spectrum of styles and techniques in a rollicking “Recognition of the hours of creativity and toil, to the love and passion that we all pour into each project.” [Watch]
With a brief to capture the high quality of Sony Action Cam’s slow-motion, Amsterdam director/artist duo Lernert Engleberts and Sander Plug turn to what they call the epitome of slow, “The camera is so simple to use that it could even be used by a turtle, which is how the concept came about.” [Watch]
Behold, the making of the planet’s first interactive 360° mockumentary, a silly/surreal experience called “The Future of Music” written and directed by London-designer-turned-director Greg Barth for Belgian online electronic music platform Hello Play!. [Watch]
Blinkink director Greg Barth corals the 3D printing talents of the master modelers at Propshop and the VFX chops of Framestore for a series of complex stop-motion/CG spots for Lenovo’s ‘Goodweird’ campaign thru agency MullenLowe. [Watch]
