Designer/director Arisu Kashiwagi, who won an Emmy for her work on the Stranger Things titles, merges character and charcoal into a layered and atmospheric opening for The Last Days of Ptolemy Grey on Apple TV+. [Watch]
Ready for a jolt of inspiration? Grab a peek at Stash 152, the latest addition to the Stash Permanent Collection, the only streaming platform all about motion design, animation, and VFX. [Watch]
Category Advertising, Animation, Brand film, Broadcast Design, BTS, CG, Character Animation, Explainer, Featured, Games, Motion Capture, Motion Design, Music Video, Short Films, Stop Motion, Student Work, Titles, VFX · Tags Andrew Embury, Artjail, Augenblick Studios, Balázs Simon, BlinkInk, Bodega Studios, Bright Young Things, Christiana Perdiou, Christopher Riggert, Conor Finnegan, Dobro, Eric Bradford, Fabian Aerts, Feral Child, FILFURY, Final Frontier, Flatwhite, Gobelins, Grant Kolton, Hannah Jacobs, HANZOHANZO, Hornet, iamstatic, Jose Alejandro Segura Mena, Joseph Roberts, Karl Poyzer, Kyle Cassidy, Kylie Matulick, MegaComputeur, Nathan Boey, Nexus, Nicolo Bianchino, Optical Arts, Passion Pictures, Peter Tomaszewicz, Psyop, Ross Sneddon, Rowdy Films, Sehsucht, Strange Beast, SUPERFLY, Swann + Yoann, Techin Chen, The Mill, The Panics, Tobias Fouracre, Todd Mueller, VantageFilms, Vasil Hnatiuk, Virág Negyedy, Vladislav Solovjov, WeWereMonkeys, Yves Geleyn
Illustrator/animator/director Frances Haszard in Auckland, New Zealand: “‘Good Taste’ is taken from Chelsea Jade’s forthcoming album Soft Spot, on Carpark Records. Generously funded by NZ on Air.” [Watch]
Commissioned by Ogilvy London to create the content for Nokia’s rebranding launch, RedStrings Productions in Cape Town, South Africa, constructs a “vast world of exponential growth and amplification.” [Watch]
From the team at Parachute Typefoundry in London: “The landscape of visual communication is changing and this new release redefines DIN in order to handle the demands of modern technology. [Watch]
While brand explainer films are now ubiquitous, there are very few that actually use the featured product to create the finished visuals – like, say, this one by Vancouver’s Ordinary Folk for the browser-based real-time 3D app Spline. [Watch]