Aardman_NSPCC Talk Pants | STASH MAGAZINE

Aardman and NSPCC “Talk PANTS”

Animation director Lucy Izzard, the Aardman crew and Adelphoi Music channel the style and tone of a bouncy pre-school video to get parents talking to their 4-8 year-olds about sexual abuse in this work for UK charity NSPCC. [Read more]

Netmarble_Stone Age | STASH MAGAZINE

Supamonks Launch “Stone Age” onto Mobile

Supamonks, the French animation crew responsible for 2014’s infamous Holypop film, are back with another off-the-rails 3D rampage.
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The Future of Music Hello Play| STASH MAGAZINE

Behind the Scenes: “The Future of Music” 360° Mockumentary

Behold, the making of the planet’s first interactive 360° mockumentary, a silly/surreal experience called “The Future of Music” written and directed by London-designer-turned-director Greg Barth for Belgian online electronic music platform Hello Play!. [Read more]

Lenovo Goodweird | STASH MAGAZINE

“Goodweird” 3D Printed Stopmotion for Lenovo

Blinkink director Greg Barth corals the 3D printing talents of the master modelers at Propshop and the VFX chops of Framestore for a series of complex stop-motion/CG spots for Lenovo’s ‘Goodweird’ campaign thru agency MullenLowe. [Read more]

Biscuit_Sky Q | STASH MAGAZINE

Doing Liquid Launch with Sky Q

Twelve months and 52 VFX artists later, fluid simulation and refracted light take on the starring role in the launch campaign for Sky Q’s wireless TV products courtesy of The Mill’s‘ striking CG work in collaboration with Biscuit director Johnny Green thru agency Brothers & Sisters. [Read more]

Interstate Tomat | STASH MAGAZINE

Interstate Signs Brazilian Comedy and VFX Directing Duo TOMAT

From the release: New York, NY — (January 27, 2016) – Award-winning directors’ group Interstate has signed Rio De Janeiro-based directing duo TOMAT for exclusive US representation. Comprised of Tomas Salles and Mateus Araujo, TOMAT brings a unique perspective to Interstate. With their combination of outrageous scenarios and visually compelling graphics, their sense of style […] [Read more]